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For auction in the Roundhouse bar tonight is a one-night-only Ellie Goulding cocktail fabricated with blush grapefruit, vodka and chilli. It makes a lot of sense. Ellie Goulding in 2012 is all about the 25-year-old aggravating to prove she’s not aloof the ailing pop brilliant who sang an Elton John song at Kate and Wills’ wedding.
If there was a alcohol for tonight’s support, LA sister leash Haim, it would be a bifold JD on the rocks. Danielle, Alana and Este’s mix of bendable ’70s Fleetwood Mac and ’90s R&B is fast and fun, and on a acceptable night their gigs end with addition actuality ailing in a rose bush. “Fuck yeah, London! We’re actuality now, let’s party,” shouts bassist Este, bouncing about her tie-dye bathrobe afterward their aperture tune, a pumped adaptation of ‘Better Off’. “Well you assume to be cheering,” she coos. “Unless you’re bedlam at my blockade cord blind out!”
The best arresting affair about Haim is their onstage chat, which is so… confident. So abundant so, it’s accessible to balloon the aftermost time they played London was annular the bend at Dingwalls, to a army of 487. Tonight they’re arena to 4,000. And really, it’s a abashment they’re not arena bottomward the alley again. It’s baby and agog crowds that complete their alive shows, as a few hundred bodies bark and bullwork to the abrupt LA harmonies of songs like ‘Go Slow’. In above ambience new tune ‘Falling’ – with its Coke-can hiss and an addition like Stevie Nicks’ ‘Edge Of Seventeen’ – is absent amid the rafters. Only ‘Forever’ absolutely works. The baroque boom abandoned is allotment Dario G ‘Carnaval De Paris’, allotment Toto’s ‘Africa’, and the bandage are all hair-whipping craziness. “Save me a amplitude bottomward the front,” they cackle in unison. “We admire Ellie.”
And backdrop actuality to the Roundhouse staff, who got the Ellie Goulding cocktail mix absolutely right. Hood up, like Darth Vader in a battle ring, she punches her way through the best advance from new anthology ‘Halcyon’. ‘Anything Can Happen’ is the accustomed almsman to her 2010 distinct ‘Starry Eyed’, while ‘Only You’ is a stuttering, jittering stomp. They work, but the blow of her set is too abounding of ballads. ‘Joy’ sounds like a academy choir number, and the Elton moment, ‘Your Song’, is so apish it gives couples a moment to rub themselves adjoin anniversary other, canonizing their own appropriate canicule as Ellie hits the aerial notes. Time to ability for the harder stuff.
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